The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
平铺直叙。
疫情背景下希区柯克式消费数码时代另类/酷/Gen Z喜好/POC女英雄悬疑……故事很平庸，然后苹果投了多少钱？多次产品出镜、女主使用、对kimi/siri的呈现偏中立/好（最后甚至成为比偷窥肥男更有用的帮手），技术的问题都在隐私（苹果主打隐私保护），手持几段摄影可能也用了iPhone？索德伯格你说收了多少钱？
每当现实此刻发生的和电影如此相同时，挺绝望的
有緊張但是也刻板。社恐傍牆走幾分鐘後壓迫感不再，謀殺清晰後的走向開始可預見。口罩消毒會有代入感，牙齦發炎又不得解。
我竟然不脸盲了，帅黑警总感觉像帅了的张颂文
interior design + apple company product
3.5分。确实有点网络版《后窗》的赶脚，前半段觉得女主有点不近人情，虽说抵死不愿出门这点和我比较有共鸣吧（不过有点纳闷难道她的头发也是自助染的还能染这么好？），从终于出门后就变得精彩起来，还是蛮紧张的，最后的反杀很酷，最欣赏的一点就是她知道补枪，谁能想到一个见人就躲贴边走的小社恐杀起人来反倒这么镇定哇哈哈。手机定位和远程开机想想还是挺可怕的，这个时代真是全透明无隐私没处躲没处藏，哎……
2.“被窥视的生活”；
太拖沓了，也就是个短片的体量，华点只有最后10分钟
但是官方翻译蛮随便的。。
把靈魂出竅弄成奪舍倒是很奇妙，結尾模仿約翰·威克。
很疫情關懷，plus data + privacy + metoo.
一个导演只能拍属于自己那个时代的内容，这个是跳脱不了的。
犯罪片里的小清新，女主最后显额头有点大，之前的装扮好看。杀手🥷先强后弱
废镜头也太多了…四倍速都嫌烦，只有最后十分钟能看。
Can’t really finish it, the actress is way too egregiously annoying and constantly distracted me.
“小度，小度”，“I am here”，“录音”。
看之前期望是小而精，结果大失所望，索德伯格的片越来越平庸
这是则爱情故事啊。本该像《变脸》般捧出n个主角，事实是几个配角也演得很不错，但奇怪的只安排了尹启相。不是说他演得不好，只是有种单调及割裂感，只考验了剪辑。
我就想问这种片子6.3分怎么打出来的？？？
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