After a holiday visit with his parents, Mikey is headed to the airport to return to his wife and newborn baby. Except he doesn’t board the plane. Instead he returns to his parents’ loft in lower Manhattan, back to his childhood room that has since been converted to storage. Unsure of his own motivations, he makes up excuses about why he’s staying – his flight is delayed, his flight is cancelled. A day passes, and then another, and he calls home and work to say he can’t return just yet – his parents are getting old, his parents are ill, time is too short. His doting mother is more than happy to enable his procrastination, while his artist father is suspicious. From afar, his confused wife grows increasingly unsettled. Meanwhile Mikey moves back into his room, digging out notebooks and mementos, calling on old friends. As the days go on he becomes more and more entrenched in his adolescent sanctuary, and comes to a point where he must choose between life as it is and life as it was. --© Official Site
这个比喻用的还是蛮美的。地震给人们带来巨大的悲伤—这悲伤被比拟成一种怪物—使人们难以忍受而逃离故地
羡慕女主的乐观大度
从最初の面子到释然の生活
能看的只有奶奶讲故事的部分，能听只有片尾（突然听到自己以前听的歌）
妖怪陆续出现那几个片段不错
为什么要用别人的模式和标准去要求自己也那样循规蹈矩地活着呢？公式和定理，就一定能帮你达到最好的彼岸吗？只活一次的人生，先好好爱自己。
更像是一部国家宣传片，没有钱养老，可以降低欲望，可以换种方式生活，可以不理睬别人强加给我们的焦虑，只要像鸵鸟一样假装一切都看不见，就可以happy ending了。
评分这么低？虽然中有点扯，但是感觉结局还是不错的，讲了钱于幸福之间的关系
改编自同名儿童文学，由大卫社制作。前半段是祖孙三人的和谐日常，而中间河童的现身突然将题材从温情治愈系变成夏目式的奇幻妖怪向。很可惜本片在两方面都没有比较突出的地方，整体非常平淡，内心毫无波澜，各种桥段都司空见惯审美疲劳。原作者的另一部作品《生日乐园》同样平平无奇，缺乏亮点的普通流水账。不过作为子供向也不能奢求太多吧。
很喜欢满屏都是植物的画面，莫名就治愈。
什么嘛，一点都不现实。share house真的哒咩
可以理解为是一个风景片。前后风格不一前面是暖心的救助，后面突然变成妖怪篇。
灾难给人类心灵带来的破坏，需要自己鼓起勇气去面对！
五十岁双双失业，上有老下有小，存款只有几十万人民币，这样的生活苦涩好像就在我的眼前。但这部剧没有太展示这种苦涩，反而很多苦中作乐，也许真的是船到桥头自然直吧，最后两口子房子卖掉share house了，从此幸福生活了。可是片子他们手里也就一百万人民币，这真的够吗……
还行吧！景色很美，故事也很简单，但觉得剧情和角色都刻画得过于平淡了…
福气不需要那么大，只要每天都有小小的福气就足够了。
PS:讲故事的画风挺有趣。
2022-76，温暖的童话故事，日本听过的没听过的不思议（妖怪）👺都来了～
日常加打怪，融合的不太好，还有一些包袱没有抖开就结束了。作画倒是顶级的，100分钟也不算浪费。
合租的室友有那么好，我愿意租一辈子。现实中合租就是鸡飞狗跳
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