这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
属实无聊，这种西部片，一码用黑人，不觉得难受么？看的人都不舒服…
一个礼拜之前看的，到现在几乎已经不记得什么了....不过对于片子开头的感受还是挺记忆犹新的：让人想到了《无耻混蛋》的开头，而彼此片头的差距似乎也就是两部片子整体水平的差距了。对比其他短评，片子确实在故事本身欠缺不少。片子在美术设计上非常用心，但使得片子更像是编排好的舞台剧，而不是扬着沙尘的西部往事。片名中虽然带着“复仇”，但感觉不出坚信、痛苦，更不要说对复仇这个概念本身的探讨。过于缺乏亮点了。D+
这些黑人牛仔们难道都是这么能装逼么，时不时来几句有深度的装逼话，然后又死的很装逼。
娱乐性十足的西部黑帮片，黑人女主也是真的飒
撇开历史背景不谈，个人觉得是一部不错的西部片，从配乐的气氛渲染和镜头的表达都是不错的。现在喜欢看西部片的人还多吗？
认真学了很多通心粉西部片之后的结果，最后画面突然变形复古十足，好评
又装逼，又很屌的样子，配上好听的音乐，好喜欢这种纯黑人西部片
原来是酷炫向，但剧情和动作都水平欠缺，唯有音乐性过足，突破银幕。
连剪辑都是稀碎的，好像廉价B级片那样给你黏糊糊又昏昏欲睡的观影体验，是想和小蜘蛛一起负负得正吗？
精彩 上次让我想起来这么对胃口的导演好像是昆汀
能和塔莉娅·莱德谈恋爱一定是世界上最幸福、浪漫和激动人心的几件事之一，不过糖水的质量甚至比不过Youtube Shorts，难受......
无意义的慢镜头太多了吧，每个人都是装逼犯，想说种族主义，但是又说了个寂寞。
征服者康和海姆达尔竟然是兄弟，片子音乐全程高品质
如果就这个质量，就不用再拍了。当然，我现在这个状态，看什么都看不进去。
还是第一次看美国黑人西部片……看了下导演……一言难尽不敢恭维……
很有趣的电影。耐飞出品，保证了娱乐性。画面构图、色彩、音乐都不错。全部黑人出演，还个个都有出处，不谈黑白问题，导演看来是个肤色导向严重的人。
有一些好设计但是节奏实在太灾难了，不敢相信是21年的电影，我寻思Nat和Buck看着也不像差辈的兄弟啊？而且外景搭得好假，怎么那么新。
好像西部片的西部片，什么都没有深入进去全部都流于形式，就连配乐都似是而非！
剧情稍稍有点乱，最后的彩蛋不错，并且暗示了下一集。
真的很无聊一片，疯狂让毒液和艾迪打情骂俏增加些许可看度
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