Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
跟slq和mrf一起看的，纯纯坐了一个多小时的uber来看电影bc一些个人睡到下午三点。尊的太可爱了。小黄人原来说的是法语哈哈哈哈哈。然后那个修女老太婆，我真的会笑飞到外太空啊🙏哈利路亚加圣光传送我尊的爱住。还有那个把石头弄丢的像ask的小黄人也太nm可爱了骑三轮车那块哈哈哈哈哈哈哈，那个骑摩托车的黑人人好nice我爱了😭
先说好的地方，看到了博士年轻时的样子，还有一眼就知道主角长大以后的房子家具风格来自哪里。但就我来说笑点一只手能数过来。只要他们一跑起来就用那个手游的配乐，让人回想起这些小东西有多聒噪的事实。整体感觉就是挺低级的屎尿屁，有点小时候大人批评蜡笔小新那意思了。还有就是一看就很渡边直美的功夫大师这段吧，刚开始有一丢丢惊喜后面都给你无聊回去了，也是，你能指望这群黄色的东西在短期内有任何成长才是在做梦吧。我可真是活该明知道吹替难听，硬要买这个只有吹替的所谓特别料金场，多花的票价可能是用来替电影院装饰小黄人元素和请lisa联名了。
中国元素加一分！一开场就是中文我也是没想到，一行小伙伴都发出了声调的“啊？” 。可爱。
平静写“容止雅量”可能更好?
感觉是春节档的作品强行压到暑假了…可爱是挺可爱，有的地方也很好笑，但从变身开始…全场男女老少华人洋人全给干沉默了。直接变成，“啊？”无可啊…算了算了
其实gru对小黄人们很好啊，怪不得小黄人们忠心耿耿。最喜欢热热闹闹的小黄人大合唱了！//邓紫棋献唱主题曲太棒啦！这部影片很尊重中国元素（针灸是🇨🇳的）神偷系列应该落幕了吧？陪伴中学的影片系列啊～
如果是因為飛機不過審的話，這次我撐總局，猴戲都比這好看⋯
miniboss，miniboss，banana，banana，不会有人不喜欢小黄人叭（卖萌眼）
太可爱了做得太好了，是超越本系列其他作品的好。 80+分钟的片长刚刚好，有好多灵巧的设计，每一个minion的人设都无敌可爱且有特色，整个系列里我最喜欢的就是这一部！少年Gru的形象也特别好。PS：片子以中国新年元素为内核，对中国文化如针灸、功夫、十二生肖等等的使用都非常讨巧。
蛮认真娱乐大家的电影，至少我这种水平的英语也笑得很开心。开头那个寻宝让我幻视终极笔记，然后开始惋惜……
878 每到小黄人的部分，都会在电影院里和其他观众一起笑作一团。合格的爆米花电影，但是花1900特地去电影院看有点儿不值😂
Pathé Delft | 和学生们作为散学仪式一起看的电影…完全荷兰语看下来好像也没那么难懂…果真欢乐的还是小黄人…
小格鲁好可爱hhh//前面是看之前写的//呜呜呜小黄人好可爱萌死了 这么多中国元素一定是在迎合中国市场吧 但不知道能不能上映//好多音乐元素 导演估计是乐迷吧 时代背景是70s美国吗 街上每个人穿的都跟搞摇滚的一样🤘🏻
真心儿童片，我这场感觉大多数是小学和初中生，最后还鼓掌喝彩。说来四个主要的小黄人还是没对上名字，只记得特征是高个，矮个，独眼和牙套。牙套这次最抢戏，黑哥哥机车男就是个大龙套，还以为他有点重要性。
前半童年回忆 后半中华风 承接上作复古风 funkdisco赛高 十二生肖新解 以恶制恶 只有更爽 内核仍是一些成年人懂的真善美 笑点不断完全克制不住hhh 彩蛋是小黄人卖萌博士趟不住只得臣服乖乖入伙XD
和前几部相比笑点偏低幼化，逗得全场小朋友尖叫不断
好看到炸，卖萌的小黄人谁不爱😭越来越喜欢高冷的Stuart
同时也感叹即使是这样也打不进国产保护月。
只有最后一场十二生肖的戏算是把全片挽救回了一点。
我爱小黄人!!! Stuart!!!!! 主创应该没少看盗墓笔记跟鬼吹灯…电影本身一般, 放一堆续作里还可以…
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