A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
达叔遗作……故事烂到爆。男女主特别男主太丑了。完全看不下去啊。蹭的过气的大话西游的热点……
时长太短节奏明显太快，主角之间的感情升温的有点突兀，好在故事讲清楚了，逻辑也算清晰，就是感觉剧组有点穷，这点尤其可以在最后猴子的装扮上能感觉出来，但瑕不掩瑜，跟其他大话西游的续传翻拍比起来，这部可以给个及格分了，多加一分给达叔和最后的一生所爱。
要是内容再丰富一些，真的拍得比以往挂着大话西游IP糊弄人的电影好多了，算是网剧里能看的，许久不见的九孔操着台湾腔的国语，还真的蛮有看头的，而且片中月光宝盒出现的场次有点多，里面还搞了小小穿越循环的梗，看得出剧本有用心打磨。
作为铁杆西游粉，强行四颗星。简单是简单了点，生硬是生硬了点，但依稀在片子中能找到西游那味儿，这就很不容易，比大话三强得多。对于不了解大话的人可能逻辑不是很硬。相比大话结局的水到渠成，这片最后强行煽情，有点尴尬。不过这是现在的通病，有原作的加持，不至于像那些烂大街的喜剧人一样尬到扣脚趾头。
这是紫霞和至尊宝的第一世 至尊宝拔不出紫霞的宝剑
没有那么恶俗的恶搞，有那么一点点诚意在里边，有那么一丝丝情意在里边，有那么一瞬间感动了我自己。
紫青合璧战蚁后那里BGM还挺好听，紫霞的演员说明演技尚可一定要挑剧本，微微里演校花太平庸不讨喜，后来醉玲珑里就蛮飒的，一定要发挥好特性。
主要是想看来达哥，剧情是我能看得下去，但是，为什么男女主要这么磕碜？？毕竟你是拍紫霞仙子和至尊宝啊？？！！估计是俩带资进组的，浪费了这个有点新意的编剧。
嗐.....什么好与不好的，还不是全靠同行的衬托，经历了倚天屠龙记2部曲以后，这版也就显得还不错了
存在很多不成熟，然而内核确实是真大话紫霞的演员非常加分
挺好看的还原大话西游的那个故事如何缘起的故事，然后达叔在生前演出的最后一部电影，也是蛮感慨的，然后故事也非常算得上是诚意之作，然后演员表演也特别的精彩，故事也特别的唯美动人，然后也不乏诙谐幽默，实在是大话西游续作里头不可多得的一部上乘之作。
演技太差了，元芳脸夸张过头，红鼻子紫霞故作精灵实在看不下去，十分钟劝退。
就是拍成网大可惜了…受成本限制很多都做的很粗糙，应该拍成院线电影的
演员很一般，大概是期待太低了吧，没想到故事还可以。
演员很一般，大概是期待太低了吧，没想到故事还可以。
被低估的网剧。设定在那里，同人也好前传也罢，剧情没有问题，有些镜头致敬，不过剧情太紧凑，看花絮应该删了一些。演员没有问题，有演技的演员演出来比花瓶好，看脸的话太难拍了，女主很灵性。导演+编剧+演员撑起的剧，脱离同人拍出自己的感觉。
打着大话西游的名义，看着没那么讨厌就已经是成功了。
说什么“缘起”，其实就是抄了一次《大话西游》。还神TM“缘起”，说得好像有它才有《大话西游》一样。
我个人是不知道大话西游好看在哪里的，大话西游如果让我去打分也就是三分吧，然后这部也是三分。
刚看过了，拍出了大话西游的内涵，比起现在大把流量网大烂电影好太多了，剧组也挺穷的，但是用心改编用心打磨剧本，就算穷也有好电影，对得起达叔的在天之灵了。虽然有很多的不足，但却背负着经典的重大压力下，拍出了大话西游的内涵，想想当初悲惨的蓝洁瑛一生，周星驰由于出轨和朱茵的有缘无分，过世的达叔，真是人生如戏，都是无奈。
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