According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.
比起音乐剧讽刺性弱了太多,拍的感染力不足,立意不如音乐剧鲜明。亮点是增加了几首原创,挺好听的。总体演绎的很一般,无新意,部分唱段略尬。
杀死他们的不是加湿器中致毒的杀菌剂,而是商人在官员的庇护下逐利的有恃无恐,体制顽疾早已病入膏肓。
回旋楼梯螺旋下坠到殡仪馆。听到美国人死了缓慢站起来。教授领导社会运动。不能杀我们两次啊。政产学研各界红酒碰杯。不知道为什么反转也显得有气无力。社会悲剧事件可能需要创新话语表达,而不仅是以既有叙事方式来支持思考。
剧情走向…有一种把所有东西往里塞的感觉,到头来一个都没讲好,最后是个ambiguous ending
别当电影看……DEH快出官摄吧,留点星给《waving》和《you will be found》😓
最后几分钟是精髓…踢皮球和议员吃饭合影真是绝了
i'm waving through the window
又在黑政府,黑财阀的道路上添了砖加了瓦。真实事件改编增添了话题性,但叙事还是弱了点,刻板的套了还是多了点。不过结尾还不错,感受到了作者真的是想要打他们的脸。
只看了片名没有看简介,以为是讲病毒肆虐的灾难片,结果完全不搭界,是加湿器杀菌剂事件的维权之路。拍的比较平庸,套路很韩国。
卧底隐忍复仇的剧情太过老套,但是影片的立意很棒!
理想化的设定太多有点脱离真实感,但总体还是可以. 他们蒙住了我们的嘴,但韩国至少还有电影.
有些时候真的是觉得,韩国哪怕一个新人导演都胜过部分名导
没有音乐剧那么感人🥺但是表演会细腻一些?有生之年我能看到官摄吗🥺去现场也行
中国这种事多了去了,就和自如的房子导致得白血病,拍成电影不也一样
要不是我很喜欢音乐,我半小时就会退出这个电影。没办法共情……
能拍出来,能上映,能给大家看到 已经很好了
别当电影看……DEH快出官摄吧,留点星给《waving》和《you will be found》😓
同样的题材,同样的煽情角度,韩国影人来拍,看得出真的很会拿捏,演员的台词让影片节奏的冲击力拉满,几次意料之外的转折都算得上是点睛之笔。
很普通的社会事件改编。最后的主管反转是亮点。
正常叙事真实事件的片子,没那么深刻也没那么精彩,“财阀控制整个韩国”依旧深入人心
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