The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
2)确实,以后巷战就跟玩网络游戏似的,戴个VR就能上还能脑死亡;
就算是老了,
人脑互联以挤坐一起表现。
日本的老龄化社会需要年轻人来拯救,因此产生对年轻人经济的保护产生的集体性犯罪事件。
不管什么家庭背景,都应给孩子树立正确的价值观。
比想象里好点,前半段和后半段在叙事上很割裂。
大魔王靠私刑才死
完全迷失焦点,开头还有点意思,小岛上来了陌生人,意外死亡,小岛居民为了隐藏尸体想尽办法,但是镇长死了开始就没意思了,剧情停滞,结尾反转更是没意思,既然发小想嫉妒男主,那为啥不开始就劝男主自首,及格分
比想象里好点,前半段和后半段在叙事上很割裂。
剧情平淡,沉闷。浪费“L”和“月”这对搭档。
还能看到藤原龙也和松山研一的合体很难得了!这部好像风光片,太美了,故事很诗意,也很现实,守护这个主题被放大了,有点严肃。值得回味思考。
前面尸体越来越多有点儿喜感,在反转那里结束其实挺好,之后的探监戏份跟结尾非常多余。
攻壳机动队的大IP始终毁于日本人执念的3D化、以及数十年来一如既往令人作呕的「游戏化」视效,在前半部分似乎致敬经典后,故事居然又变成了讨论(特别)青少年的孤立和受霸凌此类的社会问题,可谓欺世盗名。
首先,看完以后对电影为什么叫噪音不是很理解。
才发现津叔加入了九科~恭喜!
被海报骗过来,无脑爆米花剧情,画质感人,打斗场面跟闹着玩似的
节奏有点慢 最后的反转有点没必要 但是这是我的古早cp诶!
平庸的乡村悬疑电影,谁才是噪音?谁又守护了谁?
从我十几岁开始,看《攻壳机动队》,除了女主角的身材,就没搞通透它在讲什么。这次也是,有头没尾。
WTF is this crap.
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