"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
打着攀岩的幌子，做一场简单直接的凶杀，没有起伏，就是变态凶手和菜鸡帮凶。
话说为什么逃不是走便于逃脱的路呢？
优缺点都特别明显的电影，本来应该很绝望，屁民莫名其妙卷入一场很严重的漩涡当中，本来应该充满了无力感，结果最后莫名就化身超级英雄了 所以前后半截内核特别扭吧，太迎合市场，以至于脱节了
哇，那个渣男到底是不是直男啊，把兄妹两都霍霍了。终于没有了歌舞元素了，印度也能拍美妙又诗意的电影。
镜头很美，前半部分很喜欢，可惜后半部分有些割裂，终归是导演要得太多！还有这海报是认真的吗？
尴尬到不行。前戏那么长，凸显了哈登对维坎德的不上心还是维坎德对哈登的爱？有啥意义？把影片质感调粗糙一点，完全会让人以为是8、90年代动作悬疑片，老套、冗长、无趣。英文片名还有个Born to Be Murdered，倒不如是born to be bored.
全程震惊于男主的心狠手辣。女主挺漂亮的，就这样。。。
爽片，还算紧张，女生要学会保护自己。绝境中要坚强。
故事很简单，
可以一看。冗戏多了些。坎妹出场10分钟旅了次希腊游，男主停车场惊人一跳莫不是看了蝙蝠侠黑暗骑士？后来男主一想自己单兵作战这么厉害不如去当特工，于是这片就叫信条前传：how to be an agent
相似的题材让人想起《无处可逃》，只不过那个的节奏更紧凑，观感也更刺激。这一部稍微啰嗦了点，尤其是前面开头坎妹的部分其实有点浪费了，但整体还算是一个能把人注意力吸引住的故事。
冲着坎妹看的 好家伙就打个酱油 能别这么扯淡吗 这片主要告诉我们疲劳驾驶使不得是教育片
纯扯几把得儿！
印度真的有小清新，男主是流氓兔眼睛，看久了有点萌～两星半
姐弟俩都没问题，那个住客渣男太渣了，甚至于男主的老师虽然非好感但最后哭那里，让人觉得他们的孤独，女主独立自强很好，在那个国家那个年代，都不容易。
索性干掉女二，
一根牛子和一個自以爲很OPEN的碧池引發的慘案，沒那意思你打NMLGB的KISS，搞的好像很放得開玩的開，其實這就是一坨屎，多一星給山和風景，這是一坨屎
不像《以名》，倒是更像网飞大数据热门元素汇集的有针对性的电影，导演审美还是在的，男主几个镜头都难得的男性柔美，不是一味强调男子气质
欧洲导演拍的动作惊悚片实在是一言难尽。悬疑感营造得很漂亮，派头十足很有希区柯克的味道。不过这种氛围随着莫名其妙的情节展开而丧失，男主角的死活也不再有扣人心弦的吸引力。这是情感救赎剧与地缘政治阴谋类型杂交产生的怪胎。
气氛营造的还不错，只是演员们显然没有攀岩的技术，整个场景也是假的。
Copyright © 2015-2023 All Rights Reserved
